Tag Archives: fiction

An object lesson


I was surprised by an email the other day while my head was more focused on worldly matters like leaking water mains and fill in planting for my garden. Apparently some book club had picked up on a work I self published in 2014. They wanted to do an interview.

Now as a writer it’s easy to become a little euphoric at these very rare junctures, On the other hand one should always apply the old axiom ‘If it sounds too good to be true – it probably is.‘ So I replied guardedly and received a second email full of words of admiration, which I felt mildly flattered by. However, there was an offer of graphic design for redesigned book covers and other promotional material. None of which I was interested in.

Then right in the penultimate paragraph there was a little note that there would be a fee for this material, presumably whether I wanted it or not. For about thirty seconds I felt a a little torn. Should I try to say yes to the interview and no to the other stuff?

I discussed the matter with my wife and let her read the emails, on the simple premise that two sets of eyeballs on the same material are better than one set skewed by hope. False or not.

Just in case, I spent an hour or two updating my profile on a couple of sites, putting up an up to date profile picture and a quick once over for glaring errors

Given that the Paul Calvin story in question ‘A Falling of Angels‘ (Not the W.T.Delaney book of the same name) is over 12 years old, I wondered how much of it I would remember for an Interview, so I began reading my proof copy once more to remind myself of the content. And yes, I found it enjoyable, even relevant, and the experience revived a few memories of who why and where the ideas within the book had come from. It reads well enough. and that remains my opinion. To me that’s the only one that counts.

To cut a long story short I have elected to politely decline this never to be repeated, one time only offer. If a book club (or anyone) wants to talk to me, ask questions about my work and ideas, given time constraints I’m sure there is a place for the meeting of minds. A Zoom conference or whatever. That is fine. Even a list of questions to be answered via a YouTube / Bitchute / Rumble video, buckshee, free of charge. Happy to help.

However to make up unrequested services, no matter how good, then attempt to charge an author for the privilege as the price of being interviewed, that is unacceptable. An interview is an author provided service, therefore the interviewer should pay up, not the interviewee.

Well that’s it for the moment, I’m watching the ground water back up from the leaking main, hoping against hope that it doesn’t undermine the foundations or the concrete of my yard. My neighbours cattle are grazing contentedly in my meadows and there is a list of jobs a mile long for the next bout of sunny weather.

Here endeth the lesson.

A trend in the making?


Seem to be writing a lot of short stories that are what I’m beginning to call ‘future parables’. Which actually goes with science fiction as a genre. A lot of stories come from the viewpoint of knowing what I have learned about humanity, what would happen if?

‘Blink’ is about full retinal controlled digital life of a hard partying socialite, a borderline narcissist, and what happens when her digital life disappears in what might be called a fifteen minute city.

A new 6,000 worder called ‘The Winter Trees’ similarly asks what might happen if a Carrington level solar event takes down the electrical grid and much of the electronics reliant thereon. Written from the perspective of a small group of determined holdouts who live their lives dodging killer drones acting as enforcement for the all controlled.

Then there’s the ever changing versions of ‘Not with a bang’ about what might happen if those zany kids in the World Economic Forum and their adherents actually get ‘carbon capture’ to work on an industrial scale. In my version children betray their parents to the authorities for the crime of ‘denial’ and the machines actually work. Until of course all the plant life on Earth dies, thus every human does too, eventually. Not telling how, that would ruin the ending.

I seem to have a whole collection of such stories which have never been submitted to a mainstream publisher, and probably never will because I tired of that circus over ten years ago and rarely send anything to anyone except good old Leg-Iron books. Maybe I’ll just post them on this site. Don’t know.

Still struggling with the overall narrative of the final in the trilogy ‘Darkness between the stars’. Trying hard to keep the narrative consistent from the point of view of technology. Alcubierre type warp drives, no sub or hyperspace comms, a fractured Earth full of power games and ruthless ambition. Same stuff different day.

Then there’s ‘Straight on through morning’ a novella length MSS about the rise and fall and rise of a bunch of Asteroid miners set in the ‘Stars’ technology universe. Still contemplating putting in a fight scene where one of the protagonists calls another a ‘Musky’ (A fan of Elon Musk) leading to broken furniture, missing teeth and various items of grievous bodily harm. The sequence in question is still in note form at this stage, but am vacillating. Is it too near the knuckle? Might as well have a play, see how it feels.

One obstruction to writing has been the ongoing process of refurbishing our home in the west of Ireland. Latest upgrade is a revamped kitchen. A saga full of expensive wood, lots of white tiles and getting rid of a whole pile of 1990’s kitchen cabinetry. We know this because people had written names and dates on the plasterwork behind them. This has given rise, on my part, to a couple of burns, the recurrence of old back and knee injuries and various cuts, bruises and a great deal of florid four letter invective. Fortunately that’s mostly over and my kitchen will soon be fully operational once more.

Sometimes I wonder if I might like to go back to using an old typewriter. Had one back in the 1970’s and 80’s, which did sterling service until I lost it in a house move. Did try to buy a replacement from a person in Sligo, but after a number of enthusiastic online messages and a minor road trip on my part he never showed up at the location provided. So after a two hour wait I simply walked away and had a nice day instead.

Sligo is quite a pretty town. I’ve stayed there before. It’s relaxed and easy going, an Irish University town well worth a visit. Pity about the typewriter, but since that was not to be I’ll just keep my old laptop limping along.

April


Am enjoying the current run of sunny weather. This is good news healthwise as I am working outdoors, building and fixing, topping up my vitamin D levels and working up a sweat. Whilst my hands are busy, my subconscious is currently going over all the ‘Stars’ storylines. Which is a lot of ground to cover before the Irish rain returns this weekend coming and I am once more indoors behind the keyboard.

Not that I think that it is going to be a wet year. My money is on a dryer year, here in the west of Ireland. Not before time. We had two very wet years after all the water vapour punched into the atmosphere by the 2021 Hunga Tonga eruption.

A dry year is fine by me as I love being outdoors whenever possible. There are many tasks to be completed on our small acreage. Fence lines to be moved, clearing up the last of the mess that damned storm left us with at the end of January. Setting up bee traps, building new hives for next year to replace my obliterated colonies. Fixing famine era boundary walls.

The drains are running clear, not backing up like they were. Seeds have been planted, soil moved. New borders in to bring a few more splashes of colour during the Summer. While it sounds like I’m not writing, the opposite is true. Technology to be revisited in the light of new knowledge, storylines adjusted. Notes made. Plots to be checked. Continuity checked. It all has to be done in advance, Working with my hands helps relax me into the right frame of mind to focus on laying down anything from 2-5000 words a day.

5000 words a day sounds like a massive workload, and it is. I’ve managed it once before. With a 1000 words a day scrappage rate, where I had to delete around a 1000 words out of the previous days work for going off on a tangent, glaring plot holes and unusable narrative threads. Last time I had that focus, I managed an average of just over 3,559 word of usable narrative a day over 14 consecutive days.

The only other time I have ever managed close to that kind of work rate, the atmosphere was just right, although I had to take a good long run up at it. A sixty two thousand word novel in just under thirty days. On a manual typewriter. Hodder and Stoughton, a London publisher, showed some interest, but only if I could make it a series, which I couldn’t. So that went nowhere.

But that’s the price of writing fiction.

Clearing up


Spent the day cutting up fallen branches in the yard after our return home. There’s a lot to do still, but at least I’ve made a start. The main yard is now clear of windfalls, but all that has done is show me how much more there is to do, fixing the tree damage due to that storm and our secondary septic systems grey water drains are backing up.

What all these manual problem solving tasks do is give you time to think,while focused on the mainly physical, letting inspiration come as your hindbrain focuses on the mundane, allowing the frontal lobes to play around with concepts and storylines uninterrupted.

Like on the ferry over, I was making some routine notes and looked up to see a curious sight. Looking out of the window at a 45 degree angle a life ring attached to the ships rail gave rise to a curious optical illusion that made me think. To the left, in the direction of travel, the sea looked to be flowing normally toward the life ring (From left to right), but around the edges appeared to compress into streams warping around the life ring, and to the right of the life rind, appeared to be accelerating rapidly in opposition to the direction of flow.

I blinked, but the sight did not disappear. Turned my gaze from right to left. Tilted my head and then watched curiously as the illusion changed. All this gave rise to some half buried thoughts I’d had about space warp drives, and how they might work within space / time. What effects would they produce for those traveling within the warp bubble? Would such a field produce an anti relativistic effect for those traveling within it? I’ve explored this idea before in ‘Sky full of stars’ where the drive used to speed FTL travel has some unexpected effects of space / time for those using it to travel between star systems.

That idea being such a vessel traveling faster and further would, because of space / time compression and distortion, cause said vessel to arrive slightly backwards in time, because the flow of space / time around a warp field would mean that space / time in the direction of travel would be accelerated and compressed past the warp field, but, as nature abhors a vacuum, so does space, and would subsequently rush in to fill the void behind the accelerating bubble of space / time containing the FTL drive ship. Like a ships wake, only this phenomena would help accelerate the warp bubble at an increasingly Faster Than Light (FTL) velocity..

Obviously this is only a blog post, and a pretty non technical one at that. However, it is an intriguing thought. Would an Alcubierre type drive behave in such a manner? Einsteinian and Quantum physics say no, but the principles of flow and displacement are well established, and why should they not apply to space / time? Or had I just consumed far too much caffeine that morning?

This sort of thing occurs to me as I meander through my life. I find it more entertainment than anything anyone else can put on screen.

The whole point


…while we are in Montauban, Southern France, I have been reviewing my manuscript for Darkness, the third title of the sequence, yet again, and have decided that the project is not beyond reclamation. In some ways it is like having an obsessive compulsion to complete. In others I feel stymied because the story loses focus about the half way point, plot lines scattering like a startled flock of chickens with every fresh idea meant to take the story forward. So I really need to painstakingly unpick the manuscript back to its coarse fabric, then re-stitch the main threads to complete the planned 150,000 words. Excuse the embroidery metaphor.

Notwithstanding, the whole premise behind the ‘Stars’ trilogy (for anyone interested) a story sequence set in the late 21st century, is set when corrupt neocons and neoliberals, are back in power after a series of tumultuous events, including a middle eastern nuclear exchange. Under these circumstances the story speculates about the social and technological changes that might ensue from the development of a radical new technology, specifically a reactionless space drive allowing fast travel between star systems. It also speculates about how armed conflict between two heavily top down pseudo socialist western regimes, one of which, called the Gaians (After Gaius Julius Caesar or the ‘Sons of Gaia’, an extreme environmentalist movement – I’m a bit fuzzy about this myself), uses religion to bind the European peoples into a loosely cohesive social structure and makes war across the Atlantic with the United States and Provinces. Also how a maverick pseudo democracy driven by one devious and ruthless man (William J ‘Bill’ Colby, de facto ruler of the Cascadian Republic based in the Pacific Northwest) challenges and fights back against both regimes.

One of the problems with trying to write ‘hard’ science fiction is trying not to use too many ‘miracle’ technologies to gloss over a plot difficulty. To stick to the physics as outlined in the implied premise. Because all stories must have rules. For me this means no subspace communication, because subspace as envisaged is too chaotic for any coherent non-relativistic signal modulation. Like all communication in the days before radio or satellite, all messages have to be by download from orbit or in person, there being no direct, real time communication between solar systems in the assumed timeline. Transitioning subspace only being possible within an enclosed warp bubble of space / time.

Likewise with AI. I’ve always felt ‘Artificial Intelligence’ was a bit of a misnomer. Intelligence is not merely logical, nor measured purely in terms of IQ and requires a whole range of cognitive and emotional skills which require a non-algorithmic and often illogical non binary approach. My position is this; AI has no glands, it is not organic and can ‘learn’ only along predetermined lines. It has no environmental pressures like humans, and cannot relate emotionally to humans. No matter how complex, faced with innovative problems, machine intelligence can only apply the solutions it’s programming allows. Which will always remain that technologies greatest restriction. AI will be fine to do the mundane, the simple repetitive tasks, the routine. But for novel solutions? Humans will always have the edge on AI. So in my version of the future, AI will always need a human supervisor.

Similarly, all the other technologies (Nuclear fusion , Thorium reactors) I cite are within the realms of the possible, just not ready for implementing as the maths and attendant technologies haven’t been fully worked out yet, even though the technology is theoretically possible. Therefore some leaps of faith have had to be taken in the narrative (As with all works of fiction), one of which being that a subspace drive occasions an unexplained reverse time dilation. Not enough for drive equipped starships to qualify as actual time machines, but enough to require careful scheduling to avoid temporal near-paradoxes. It’s an interesting paradigm. Just like assuming that within our branch of the Orion spur of the Milky Way, humanity is the only sentient spacefaring species. During the imagined timescale, humanity does not make contact with another spacefaring species.

This is where I am with the story, one which has been stuck for far too long. Too many half written spin offs and well over a hundred thousand words of notes. Some worthy of converting, some not.

By the way. If anyone wants to help me out with sundry expenses like web hosting (And the occasional coffee) as I try to re-write ‘Darkness between the stars’ and other stories like ‘A Coelacanth in the Bathroom’ and a few others I’ve recently opened a buymeacoffee.com account.

Unfortunately WordPress insists I have a more expensive ‘business’ account to add the necessary widgets to make this work. Which I can’t currently afford. So I had to bodge a link manually from a cobbled together graphic placed on this sites primary sidebar for the time being. Yes, it does read ‘buy me a whiskey’ but for a basic $3 ask, I don’t think that should be too onerous. Certainly cheaper than a medium Americano from most western coffee shops.

My only regret for all the above is that the work has taken so long. I have other projects on the drawing board. Incidentally, for anyone who is interested in a copy of ‘The Cat Tree’ from 2019, I’ll pop in a direct link to both the print to order hardback and eBook versions via Lulu.com when I’ve got the final versions ready. Should have done that ages ago, but migration to Ireland and all sorts of other issues like rebuilding houses got in the way, for which I can only apologise.

All assistance will be gratefully appreciated.

There will be a short pause for a commercial break and a word from our sponsor while matters move forward. All serious questions will be answered but don’t expect answers until after I get home from my travels in March 2025.

On the communications front, my Twitter / X account has been restored, and I have been sternly warned that whatever it was that I was doing wrong, don’t do it again. Which puts me very firmly on the naughty step, unless of course I cough up 12 Euros a month or so to get a blue check mark verification. Said resurrected account by the way is @martynkjones, where I intend to post travel pictures and videos, pictures of home, bees, and news of any newly completed stories etc.