All posts by Martyn K Jones

Have been a writer of stories of science fiction and the paranormal for quite some time. From a first article published in 1978, and despite getting enough rejection slips to wallpaper an entire twenty bedroom country mansion, still writing. Six books so far, with more to come. Lives in western Ireland. Keeps bees. Likes dogs.

That was the weekend that was in Vancouver…


Back to the keyboard and shift work again. An interesting weekend I think. If I’d have known what tickets we’d been given beforehand I’d have booked a hotel closer to the venue. Although the Metropolitan Hotel on Howe is very nice, and well worth another stay.

Watching Angie struggle with the Skytrain station stairs was hard (No lift or escalator available at Chinatown). It takes a full year to properly recover from a hip implant operation, and although Angie’s doing well on the flat, steps are still difficult for her. I found myself doing my ‘linebacker’ routine, carefully placing myself behind and to one side of her to prevent her delicate recovery being upset by someone in a hurry barging past with their brain in neutral. At this stage of the game I’m painfully aware of how disastrous a fall might be.

Still, we got to the Cirque Du Soleil venue, and finding we were early had to hang around in the cold for about forty minutes, where I introduced Angie to the concept of Smugshots (Posing in such a fashion that you look like you’re physically handling a far off object – kissing the Sphinx, holding the moon, that sort of thing).

Cirque du Soleil, Cirque du Soleil, what do I say about Amerluna at Vancouver? Okay guys, you have got to do something about your sardine like seating plan for the next show. Anyone over six feet tall and even slightly broad shouldered suffers. The last time I was anywhere near this level of discomfort was on a Thomas Cook flight (aka ‘Air Cattle Truck’) from Vancouver to Manchester in Summer 2010, and I swore never again to travel with that company. Sure, if you are under 5′ 10″ tall and slim to medium built, no problem. Anyone bigger is going to suffer cramps in the shoulders and knees which will make the show very much less enjoyable. Considering the price of tickets.

The acrobatics were spectacular, and for me the best part of the show were the antics of the Caliban like character with his prehensile tail. However, they could have left out the disjointed storyline, such as it was. I was left with the overwhelming impression the whole show had been written by a committee for the promotion of ‘diversity’. The narrative made no sense. In fact it rather got in the way of the spectacular performances. For individually they were brilliant. The music was good, the sets remarkable. Unfortunately there were pieces that didn’t fit, and took your mind off the already tenuous ‘story’. For example; in the second half, one gold costumed performer does an incredibly delicate balancing act with large fishbone like sticks, which was all very clever and skillful, but left me thinking; “Okay. What’s that got to do with the price of fish?” Likewise for the twins on unicycles. The promotional material makes much of the latest eco-panic, where some sources predict world water shortages for two thirds of the world’s population by 2025. How does having a six foot half globe of water centre stage relate to that? As for the 70% of the cast being a ‘feminist’ angle; again, so what?

This wasn’t just me; one person in the row in front was distinctly heard to paraphrase Macbeth as we were leaving. I distinctly overheard him say; “That was a tale told by idiots.” All around, I could hear the Canadian tradition of politeness being strained so hard it was creaking. For myself, I was glad to get out and stand at the interval, and would gladly have stood for the entire performance. In contrast to the lack of seating space, the concession prices were massively inflated. Nine dollars for a small plastic glass of distinctly average plonk? Fifteen dollars per show programme? a paperback copy of ‘Head of the Beast‘ isn’t that much more, and there’s a lot more reading in my work. Certainly makes me feel much better about print to order pricing.

Came out of the show, easing the kinks and cramp out of my shoulders to be impressed by the number of stretch limos on the streets outside the Lady Gaga gig at BC Place. We counted over twenty three. Not that I’m a Lady Gaga fan. All very well produced and glossy, but nothing to really write home about, musically speaking. All icing and no cake. Still, it shows where the money is going.

Overall verdict? A nice break, but I’m glad to be out of the big city, back home and working again. Although if I’m offered tickets for Cirque again, I think I’ll demur. Shows like these tempt me to quote 18th Century Lexicographer Samuel Johnson when asked about the Giants Causeway; “Worth seeing, yes; but not worth going to see.”

Vancouver for the weekend


Walking away from the keyboard for a couple of days while the eBook submission process grinds through for Head of the Beast. Off to see Cirque Du Soleil’s Amaluna in Vancouver tonight, and we’re making an overnighter of it.

In the meantime keeping my eyes and ears open. You never know what will kick off a good idea.

Ploughing on with the next volume


I’m pushing on with the next volume of the Cerberus series, specifically the fallout from a gangland killing from my opening of ‘A falling of Angels’. Getting a volume out in the public domain always leaves me with the need to do more. My attitude is, “Okay, that’s done. What’s next?”

As I was driving in to work, I was going through some of the ideas for ‘falling’, and have been taking a stroll down a rather shadowy memory lane. Well, not so much lane as dark alley. Drawing on my own brush with motorcycle gang culture, back in the late 70’s and early 80’s. Those three or four years were crazy days, and some of the people I rubbed shoulders with back then still provide me with useful material. Not that I’ll ever name names, times, dates and places.

Loyalties, once given, should not be withdrawn without serious provocation or penalty. That was the core of the code I lived by. Betrayal was considered the worst of crimes against your chosen peer group. The rule is that you don’t grass. Ever. What happens doesn’t get discussed outside your group. Exile or death are the penalties. Omerta rules. That was the zeitgeist, and I got to see it up close and personal, enough to understand it well. Observed in the flesh, without any rose tinting of glasses.

At the time I recall reading Hunter S Thompson’s “Hells Angels”, but the reality was never quite as he made it sound. Not that I ever had much first hand contact with real, full patch chapter members, although I had a nodding acquaintance with a couple. Some days were fun. A hell of a lot of fun. The parties were almost legendary. We got stoned, smoked and drank a lot. We built and rebuilt motorcycles. I got the reputation for being ‘mad’, although no-one would ever explain why. I was a positive pussycat compared to most of my contemporaries. Some of whom would beat up on people for a word out of place. Sometimes for no reason at all, just for the hell of it.

In the end I simply walked away from it and kept on walking, but the fascination of ‘the life’ as we referred to it back then, remains with me. The casual, almost blasé attitude to sex, violence and illicit substances, which I never really shared. The heavy metal music which sometimes still touches an amused nerve. The sheer camaraderie and non-judgmental brotherhood of it all. The two minor gang wars witnessed from the sidelines. Eighteen friends and boon companions dead in five short years to drunk driving, accident, one murder, and two suicides. You might say it got a little rough for a while.

A couple of decades ago I toyed with the idea of writing down my experiences, and planned a memoir with the working title “Black leather, red blood”, but in the end decided not to. Time has degraded my memory of the events, and after thirty plus years I don’t trust memory alone except for the broadest of brushstrokes. Most of my notes got burned or lost, and we all have to move on. Perhaps it’s better this way.

Another day, another rejection slip


Over three months after submission, Harper Voyager have finally said a polite ‘No, not our thing’. This was not unexpected, as if a publisher is interested, they’re usually first out of the trap to contact you. To be honest, I saw the missive header as it dropped into my inbox when I logged on, and my reaction was simply ‘Meh’.

In the past I’ve had varying degrees of reaction to rejections, from in my youth that my work is no good and never will be, to nowadays, when my critical skills are a bit more fine tuned, and my reactions more nuanced. It just means they’ve made a commercial decision that it wasn’t right for their marketplace. Wherever that may be. I’d already come to that conclusion, and am moving on, not taking it personally, and generally getting on with life, when previously I’ve curled into a hypersensitive ball to cry. Maybe I’m developing a thick skin in my dotage.

‘Head of the Beast’ is in print and eBook already in self publish format. If I could bring the price down further, I would. However, having spent several years on the project already, I’m not inclined to give my stuff away. The eBook is just over five bucks with tax, or three pounds forty nine in pounds sterling, which I think is fair. The paperback and hardbacks unfortunately are more expensive, but that’s the price of print to order services. I don’t make much more than a buck fifty royalty per item.

Harper vector may not like what I sent them, but honestly speaking, I’ve made a number of revisions since I first submitted the draft manuscript to them, tightened up the prose, and the end result has merit. How much so, is, like so many other things, purely a matter of opinion. Mine may be biased in my favour, which is hardly a surprise.

Head of the Beast now in print


While Angie was watching various episodes of Miss Marple on NetFlix, the later Geraldine McEwan versions with half the current crop of British character actors in the cast, I was checking and setting up files for publication. After six years of development, I’ve finally decided to put the first episode into the public domain. Hopefully the eBook will be ready for download in ePub format by lunchtime tomorrow.

I’ve decided to go with a plain black cover with white lettering in a courier like font called ‘Chandler42’. The overall effect is quite striking. It also saves time messing around with designs that might end up a bit too blurry at the edges, or even fussy. I’m not a photoshop guru. My skill lies in words. First Edition Paperback is here.

Anyway, that’s enough for one night. I’m too tired and it’s time for bed.

Update lunchtime Monday 7th January;
The eBook is now up and running. I got the eBook formatting right this time (fingers crossed) Links will be available on the ‘Published works’ page shortly.

Head of the Beast cover notes


I’ve been wondering about what wording I should use as cover blurb for Head of the Beast, first of the Paul Calvin Novels. After much spirited debate with my muse (Angie, my Wife), we agreed on the following:

The living shouldn’t talk to the dead. We say too much and know too little.” Runs the gospel according to Nick Calvin, ex Uniform Police Inspector.

The problem is, Nick Calvin has been dead for over seven years. Killed in the line of duty.

The other problem is, his son Paul can now hear him quite clearly. Paul can also hear a lot of other dead people, as well as the thoughts of the living. Having your brain rebuilt by a genius in neural stem cell technology can do that to a man. Which should turn him into some kind of super hero. Only he’s neither super nor hero.

Yet his abilities push him into the very front line against an evil plot. One which threatens to spread mayhem and bloody destruction all through the streets of London. He is also now squarely in the sights of a ruthless Swiss consortium, with designs on the impossible to replicate technology between his ears.

With his wife about to divorce him, and professional disgrace in the offing, this is not how Paul saw his life as a career police officer turning out.

Head of the Beast is the first of the bleakly near – comic tales from the Cerberus Conspiracy series of science fantasy novels.

I think it’s got legs. I really do.

That’s about as much as I’m doing with that one…..


Head of the Beast will be available as soon as I’ve got cover art that I’m happy with. The Header issue has proved insurmountable, and may actually interfere with eBook conversion, so I’ve ditched the headers. The page footers and numbering work fine, with none of the unwelcome surprises upon reopening the document after saving or conversion. 188 172 action and horror packed pages laying the groundwork for the next in the series on the most recent reformat.

First Edition Hardback will be ready in a week, and I’m tempted to go for a plain, textured look for the dust cover. Just authors name and title, with a little blurb and text sample on the back. Paperback edition will follow the same route, and I’ll double check the eBook requirements before submitting to iTunes, Barnes and Noble etc.

All this formatting practice is telling me the limitations of OpenOffice and its weak points, so I can concentrate on the story in future, and not waste so much time on what I feel are purely cosmetic issues.

Publishing, formatting and metadata headaches


Head of the Beast, the Manuscript of the first of the Paul Calvin novels, is almost about as ready as I can make it. Nothing from Harper Vector since acknowledgement of receipt 2nd October 2012, so I’m assuming they don’t want to know. Had they been interested I’d have expected them to be in touch long before now. Quite frankly that nails the lid on mainstream publishers as far as I’m concerned. They’re too rude or ignorant to send out a polite or timely emailed notice of (dis)interest, so I’m no longer interested in them. I will submit no more work to mainstream publishers and agents. Three months per submission? I don’t think so. Are they expecting prospective authors to die of old age before they even look at their work? Not playing that game. I’ve played it for too long with very little to show. No more slush pile. No more hanging around, wasting my hope and effort. Back to the self publishing grindstone. At least I only have myself to blame if my business model falls flat or royalties don’t arrive on time.

There are two remaining major manuscript headaches, formatting and metadata. The formatting, because when an error occurs, I can’t strip out all the unwanted codes, which in turn screw up the formatting; I can’t seem to reformat the page to the correct paper size for publishing, and I’ve read the goddamned Openoffice help file and manual back to front, searching for an answer. Chapter headings won’t stay put. OpenOffice 3.3 is just as bad as Microsoft Word in all its appalling iterations. I may have to cut and paste the raw text into a fresh template and go through the tedious business of inserting new headings, italics, paragraph formats. It’s all so Byzantine and unnecessary. A 70,500 word document is a lot of work to reformat. All over one unassailable code error.

I used to be a confirmed WordPerfect fan for one reason; Reveal Codes. That Alt-F3 hotkey was an absolute lifesaver on long, complicated technical documents when one specific piece of code buried in the text was mucking up the format of a manual or report. Especially when other people had been making their own untracked revisions. These untouchable codes can completely screw up your day and important, time sensitive documentation. Specifically when you’re racing deadlines and need stuff ready for meetings. WordPerfect used to make my working life so simple. Search and replace used to be so easy. When formatting is critical, particularly in OpenOffice 3.3 and Microsoft Word (All versions) one hidden code can ruin a weeks work of crucical revisions. As for Macs, I’ve heard the same things about them, too. That and I’m like most relatively unknown writers – broke. So no money for new software. I’d love a copy, but I don’t have the three hundred dollars after my day job pays the bills.

Have finally cracked the metadata issue, so there is going to be a proper eBook release via Barnes and Noble, iTunes etc. with decent heading and document structure to make navigation an absolute snip for the reader. Also I won’t end up tearing my remaining hair out over multiple distribution rejections. So long as I follow the instructions properly. There’s even a handy dandy little video explaining Metadata.

Update: Have had to reformat a whole new document. All twenty five chapter headings are now firmly ensconced in the headers and footers. Just the italicisation to do tomorrow. Late shift on day job tonight, so I’m going to pack in now, grab a snack and see what tomorrow brings.

This is a superb resource


At least for any would be Science Fiction writers. In November Google launched this map of the milky way based on known astronomical data called 100,000 Stars. I was busy looking for some kind of information on the Perseus arm of the Milky way for a new project when I literally stumbled across it.

One minor Caveat. The browser application requires a delicate touch with the mouse to navigate, and the bigger your screen the better. I’m going to check it out using the web facility on our Smart TV.

While not encyclopaedic, it’s a work in progress and will no doubt improve as all these open source projects do. I’m seriously impressed. Well done all.

Update: Doesn’t work on our ‘Smart’ TV. At least directly off the Internet. Just keeps on cycling through the ‘Focusing Optics’ stage. I suppose if I used a VGA cable from my venerable laptop I could get a reasonable result. Probably the issue with only support up to Flash 8 that a lot of Samsung and LG sets have.

Who is opening my post?


A letter from my Mother arrived yesterday. A Christmas card. It had been opened. This is not the first time, and has been going on for the last twelve months. Every letter or birthday card from my Mother in Claverdon, England, has arrived with seals peeled back, envelope flaps torn and marks on the contents. No other post from the UK arrives in this condition. I have spoken to my Mother about this matter on the phone, and last year forbade her to send anything of any importance of value, like documents or birthday money. I’ve even lodged formal complaint.

Despite the fact that my writings contain accounts of how the future EU morphs into a hideously theocratic regime that can only exist by murdering millions of dissidents and converting them into foodstuffs, or how said regime murders the British Royal family, I do not think that I’m on any kind of security ‘watch list’. Instead I prefer to think that one of the Postal employees covering the Claverdon area in Warwickshire is a light fingered tea leaf looking for easy pickings from old ladies sending letters to their sons in far off lands.

Newsflash; there are no pickings, all funds transfers are electronic, and all important documents get hand delivered by friends and family coming to and from Canada, because we don’t trust the UK Post Office any more.

Taking Christmas off


Angie and I have been talking about our relationship, and realise there’s considerable fence mending to do. So this Christmas we’re going for a break at a nice out of the way hotel with a balcony, great scenery, nice seafood, far from the drama and excitable high pitched squeaking. No presents, no cards between us, no Internet or phone calls from the 22nd until the 28th. I’ve put a few trinkets up around the house just for the look of things, but this year Christmas is going to be a very low key affair.

The kids are in England, family is scattered all over the globe, and for a change it’s just us. No tree, no Christmas shopping, no overloaded credit cards, no heavy meals we’re only going to have to sweat off in January. Nothing like that. Just a thorough detox. Massages, mud wraps and spa treatments. A relaxing break chilling out in whirlpool baths, reading a good book with a glass of fine wine, and getting a head start on the New Year. We’ve done our duty as far as family is concerned, catering and feeding, cleaning up after, and pandering to almost every whim for years. Now it’s our turn.

The only thing I plan to celebrate this year is Angie’s birthday on the 25th of December.

More Cerberus cover art


Masks background

Still playing with ideas for cover art for the first in the Cerberus series of novels should Harper Vector not respond positively, and ended up with the above collage built from various components. I’ve gone for heavy on the symbolism this time, hinting strongly at story elements within the first MSS. I’ve tried to convey a sense of being haunted, and a couple of other things which I’m not going to let slip. The three heads are of course a direct reference to the three headed dog who guards the entrance to Hades, but the faces behind the masks have their own meanings. I suppose you could call it art.

Sticking to the black and white colour scheme I’ve adopted for the series, which it seems to work. Well, I like it.

Heads of the beast


Still no word from Harper Vector, not even a “No thank you.” for Heads of the Beast, the first of my Cerberus Conspiracy novels. After two months I’m inclined to think that if they were interested they’d have been in touch before now, so I’m making preparations for my own eBook launch. Some of the base MSS formatting needs a little tweaking, and I’m in the process of editing the original MSS to suit. The cover art idea is good and quite distinctive, so I’ll run it past my in house critic and see what she thinks. Because it will be an eBook to start with, I’ll try the iBookstore and Amazon route at something like $2.50, seeing as Amazon is apparently about to kick out a whole lot of 99 cent titles. Two dollars fifty for seventy thousand words seems pretty fair. I may even earn a few pennies if people like it enough.

There’s the Metadata issue of course, and I’m paying particular attention to that. The collar and cuffs will match, and hopefully I won’t be reduced to tearing out what’s left of my hair like last time. All the document headings are consistent, and I’m not going to try and get tricksy with chapter headings like I’ve done with ‘Stars’.

Why I suck at Social Media


When it comes to the social media like Twitter, Facebook, Google+ and all that malarkey, generally speaking I suck at it. Big time. Yet all the time we’re told that it’s the one way to circumvent the thorn thicket of Agents, Publishers, Distributors and Book Vendors to get your work out to the reading public.

Why writers like me generally fail at translation from manuscript to media is quite simple; we’re (mostly) the wrong type of personality. I’m not a social animal. I hide away in my little cave, scribbling away until I think I have a decent result; then emerge when I’m done to find everyone else is more interested in hairdressers gossip. This should come as no surprise, because Social Media is like junk food, fast, cheap, quick and cheerful. Like hasty sex, it fills the immediate hunger but rarely sates the true appetite. In this respect, Facebook and Twitter are like advertising, a kind of electronic word of mouth. The browser is invited to prod, poke, contact, comment and react on a purely superficial level, but rarely to go deep. Writers, at least the ones I know, don’t do this kind of superficial. Most are private, introspective individuals who don’t come out to play all that often. Such is my experience. There are notable exceptions, but those exceptions are only seen when they’re not actually in obsessive-compulsive writing mode.

To be honest, the Social Media thing terrifies me. Why? Any number of reasons, but I’ll stick with two. First because I think it’s a distraction. Second because while I can happily deal with being ignored, there is such a thing as unwelcome attention. Especially when you’re trying to concentrate.