All posts by Martyn K Jones

Have been a writer of stories of science fiction and the paranormal for quite some time. From a first article published in 1978, and despite getting enough rejection slips to wallpaper an entire twenty bedroom country mansion, still writing. Six books so far, with more to come. Lives in western Ireland. Keeps bees. Likes dogs.

The five best Science Fiction TV shows, ever.


Of all the best Science Fiction series, not movies or one off specials ever aired on TV, I have five firm favourites which I can watch again and again. Presented, like in all contest formats should be, in reverse order;

Fifth: A tie between ‘StarGate SG-1‘ and ‘Enterprise‘. Two worthy franchises.

Fourth: Red Dwarf (But not ‘Back to Earth’ – A shockingly bad end to a fantastic belly laugh of a series.) A small cast forever on fine form. A perennial.

Third: Farscape. Not so much for the Jim Henson creature creations as for what was done with them by the writing, direction team, and the actors.

Second: Babylon 5 (Series 2-5) Michael J Straczinski’s epic. Great story arc.

First: Firefly. Joss Whedons magnificent writing shines through. Great character development, smart stories, and snappy dialogue. Possibly the best Sci-Fi TV show of all time. Until something better comes along.

I don’t normally do Fantasy, but


Last night I dreamed a complete fantasy world. Social structures, storyline, the works. No context at all. No apparently external inspiration. Although I have been watching Discovery Channel features on Ancient Rome and Persia of late.

I fell asleep on the sofa studying for my VHF ROC(M) certification last night after evening shift at day job. Coming to this morning with a crick in my neck and a world in my head.

It’s got slaves, Sorcerer Kings, Frost Giants, Five Empires, and rare sacred trees which are the source of all magic in the world. Since I don’t read Fantasy outside of Larry Niven, Jim Butcher and Terry Pratchett, don’t think I’ve read anything remotely like it. I’ve been watching ‘Game of Thrones’ of course, but who hasn’t? My fantasy realms are nothing like those of George Martin. My world is actually modelled upon an Earth where the Ice caps reach down to Southern Britain and a great shallow inland sea covers most of the continental USA. Where there is a magical trading empire that rules the seas to the fire mountains of the East, through the midland channels across the Vastian Ocean to the Silk Empire and all her vassal states. Where the great Valley state runs along the inland sea to the great sacred waterfall of the Lantan Emipire.

That’s all I’m saying until I do a little more research and begin to write properly.

Two pages of notes inside an hour and accelerating. Evening shift tonight, then six clear days to work on my other projects.

All this out of one uncomfortable night. Wierd or what?

Things I wish I’d known at 18


1. Don’t waste your energy.
Decide what you’re going to write about and stick with it. Experimentation is fine, but these should always be left for tinkering at weekends, like a mechanic might work on restoring vintage cars as a hobby. Keep the day job until the big bucks come your way.

2. Work at it.
Determination be thy friend. Don’t give up on a project. Finish it. All it requires is an act of will. Nothing else will do the trick.

3. Ignore naysayers.
What might matter to a professional literary Critic might not be the view of the public at large. In fact this is probably axiomatic. Same for family and friends. Everyone has a different agenda, and they all want your attention right this minute. Our lives are bombarded by trivial little voices who simply can’t wait to start wagging their mouths. These little voices are sappers of karma, time vampires who sink their attention seeking little canines into your creative neck and insist, without bothering to read more than a couple of paragraphs that you’ve written that “You’re wasting your time.” They will almost always be wrong.

4. Don’t rush it.
Great. You’ve finished it. Your great work. Now put your magnum opus aside for a week before reading it like a reader would. Tighten up sentence structure. Eradicate those excess articles. Punish those pleonasms. And spell check, spell check, spell check. Take your time. Get it right. This is important.

5. Don’t worry about publisher rejections.
Everyone gets rejected. You, me, everyone. Publishers will take on what they think they can sell and make money on. They, like you and me are mere mortals and therefore subject to the immutable cosmic laws of cock-up. They guess, go with their gut instinct, or are simply too busy or hard up to plough through a ‘slush pile’ of unknowns. This provides a very large rabbit hole for your literary tour de force to fall through. Simply tidy and reformat your work, then resubmit after a year. By then it is likely that they will have hired different readers, have actually drunk coffee that morning, or decided to look for new markets. Well, enough to get the story you’re trying to tell. We all have off days. Some more than others. And even closed minds open occasionally.

6. Believe, but not too much.
So you have a cause. Whoop-te-do. So have half the idiots on the planet. People with ’causes’ are at the root of half the world’s evils. They believe hard and too much. So don’t be one of them.

7. Read primary sources.
Not newspaper reports based on press releases. Dig deep for the scholarly papers on your subject and read carefully. Trust but verify. If you’re going to write about it, research. Read more than one source. It will pay off, eventually.

8. Remember that people like drama.
Drama fulfils a deep human need for stimulation. The thirst for the new, the immediacy of novelty. Everyone, apart from autistic souls who can’t connect with others.

9. Learn the ‘rules’ of writing.
Mainly to learn how to break them properly. Always remember that ‘rules’ are sometimes only guidelines. “For the guidance of the wise, and the adherence of fools.”

10. Make time for yourself.
Time outs are important. Chill, step away from the day to day craziness. Stop reading the news and blogs that drive you nuts. Make friends and spend quality time with them. Drink coffee, watch the birds. Do whatever makes you most relaxed. Whatever form that takes.

11. Ease up on the illicit substances.
Getting drunk or stoned is human. We all do it. Well, most of us. Either to celebrate or decerebrate, maybe both. Sometimes we need a little chemical assistance to soften the blows of life. Have a session, a binge to ease the pain. The trick is not to let intake take over.

12. Don’t forget family.
Even if they are…. well, let’s not go there. Remember birthdays, send a card or message. Stay in touch and be civil at the very least. When the chips are down, they’ll be there for you. Even if you behave like an idiot most of the time.

13. Learn the power of ‘No’.
Sometimes, no matter how much you care about or respect someone, you are going to have to refuse them. Learn to do it gently.

Here endeth the lesson.

A thought from the idea factory in my head


I was reviewing ‘Darkness’ this morning, and began re-editing a sequence where five of my Asteroid miner characters are getting ready for a new expedition. It got me thinking, what will be the next development in caller ID on cell phones? With software that is capable of reading emotions under development, and I’m sure some form of holographic touch screen in someone else’s ideas file, I thought to myself, what would such an ap look like?

In ‘Darkness’ an E-Avatar is a 3D animated iCell figure that reacts to the callers emotions. When in no-vid mode, the cell phones internal software generates a little figure that mimes, dances and reflects nuances from the callers voice patterns. Animated Gif are already available for cell phones as caller ID avatars, so how long before a more reactive version becomes available? Not just reading micro expressions, but also tonal nuances in a callers voice. Maybe firstly as a 2D version, but as screen technology improves, 3D.

Just a thought. The pace technology is moving, I’m sure I’m not the first to consider the idea. Wonder if the idea isn’t original, but simply a derivation of something I’ve seen before on TV or in a movie?

Unscrambling storylines


After my recent brain fart storm, I find myself scrambling round the MSS of ‘Darkness’ tidying up loose ends. In making one story / character change, I’ve unleashed a cascade effect. While this does not alter the planned ending, it has sent the intermediate story skittering off in a new direction. Whilst this is not a completely unfortunate happenstance, it’s a lot of hard work reading and re-reading to clean up the glitches. Massively time consuming.

All this, day job, and Angie wanting me to help with her Canadian History Teachers course. Just been reading the unit on accounts of first contact in British Columbia by the Simon Fraser expedition, and to be honest it’s so dry I can hardly keep my eyes open. Great cure for insomnia. Although I’d prefer a large whiskey.

The only problem with great ideas…..


Maybe there can be sometimes too much of a good thing. Inspiration, that is. Had a great idea the other day for a little dramatic vignette for ‘Darkness’. A sound piece for to round out the backstory. One that ties up two character threads neatly, just in case a reader asks “Hey, whatever happened to them?”.

The only problem is; sometimes an idea is too good and takes over from the main story sequence. Unfortunately, my story now contains too many conflicts with other character threads. At the same time it’s just too damn good to ditch, because what’s written tidies up a gaping hole in the narrative. On the other hand it opens several large tins of wriggling Oligochaeta.

Originally I’d planned to kill off the two characters in question to provide a focus of angry motivation for others, but I like them both so much I really can’t bring myself to do the evil deed.

This means yet another storyline restructure. Head meet desk. Hi. Ow.

Don’t know how anyone else copes with story conundrums of this nature, but it’s at times like these I’m glad that I use a laptop running word processing software, and not my old Imperial Safari typewriter. Think of the trees I’m saving.

Morning at the Office


Morning at the officeJust another day in the ‘Office’. Although you can’t see the Deer, Raccoon or Rabbits from here. The odd passing truck or car. Out on the water there’s just sail boats and the occasional Gin Palace passing through. Day job later, but only a six hour shift, then back here for half past five. Which after supper gives me two more writing hours until sunset.

Working more on ‘Darkness’ than any other project at the moment, as the story thread I’m following is quite robust. Nine thousand words in the past five days. Not bad, could be doing more, but at least the ideas are flowing.

The best time of the day to write


Since the 1980’s I’ve been an habitual early riser. It may sound odd, but I have difficulty sleeping in after half past six. No Alarm clock necessary. This is probably a hangover from days when I travelled and commuted the length and breadth of the UK. Edinburgh, Manchester, London, Bristol, Cardiff and all points east and west. Going where I was sent, doing the job I was paid to do, then getting home, sometimes as late as nine at night. So I got into the habit. It’s programmed into my body clock.

At six or earlier, I’m generally up and working sometimes in my dressing gown, sometimes already dressed, researching, pounding keyboard or answering emails. No-one, apart from my dog, to butt in. Peace and quiet allowing time to ease into the writing zone before the day job begins. I’ve found I can get almost a full days output done before eight, and then make ready for whatever late day or evening shift I’m on.

This is my routine, rain or shine. At the moment mostly the latter, which is very nice. And when I have what I call a ‘flow’ going, when the ideas line up neatly into pure narrative, I reckon I can lay down a good fifteen hundred words in just over two hours. So for me at least, early morning has become the best part of the day to write. It’s oddly relaxing.

Minor change to blog title


Blithely carrying on in my usual ‘full-speed-ahead-and-damn-the-torpedoes’ way, I hadn’t really noticed how many Martyn Jones’ there are out there. From Psychologists and Gynocologists to artists and politicians. So in order to distinguish myself from them and make it easier for people who want to actually find my specific profile, I’m changing my ID title from a simple vanilla ‘Martyn Jones’ to ‘Martyn K Jones’. WordPress was easy, but Facebook, as usual, is proving more user fiendish, demanding verification via cell phone text. This for me is problematic. I live in an area with poor cell phone reception, and two requests for a verification code from Facebook this morning have so far met with a blank wall. My phone is registering an average of 30-50% signal strength. Still no text.

Technology and social media. You gotta love ’em.

Darkness Between the Stars – new excerpt page


Have decided to put the first couple of thousand words of ‘Darkness’ on an excerpts page. Just to give a flavour of the style and tone. New story thread to add to the mix, with six particular characters.

New page is under the ‘Stars Trilogy’ tab on ‘Darkness between the Stars – Excerpts‘ tab.

At present, inbetween shifts and all the other domestic stuff, I’m flipping between stories, trying not to get them all mixed up. Oh yes, and I’m also growing my beard back.

Taxes, Grants and subsidies….


Here’s the good news; the government of Canada subsidises and gives tax breaks to publications. Can I or any other independent Canadian writer access these valuable tax breaks?

Sadly no. They only give funds and tax breaks to publishing companies, not individual self publishing writers. Application notes here.

Today I am going to talk to the local Chamber of Commerce regarding company registration. I know how it works in the UK, but not over here. I shall invest a little time today in business conversations.

Update: There’s a tax break for publishers in BC – From Income tax act, too. Probably doesn’t apply to independents, either.

A Falling of Angels plotline


After recent current events, I’ve decided to revise the plot for the forthcoming Paul Calvin story, ‘A Falling of Angels’.

Rogue Government security operatives are indulging in wholesale theft and market manipulation driving money markets into chaos. Using their universal data access these unaccountables are committing massive stock / money market fraud and information theft.

One time security service consultant and serving Police Officer Paul Calvin, now an outsider, tries to investigate the thefts as they affect those around him. At every turn in his enquiries he is rebuffed. In the process he is discredited, even arrested. After which he escapes, narrowly dodging assassination, and with the help of an informer become friend hacks into the data centre and thwarts the thieves by turning the monitoring software in upon itself. Administration implicated.

Simple plot. Hero wins the day. Love triumphant. Bad guys arrested (But to his frustration, given light sentences). Suspense element; who was behind them?

It’s got the lot; Killer drones, renegade Police telepath on the side of justice. Serious insider bad guys who seem untouchable. I like it. 30,000 words down, 50,000 to go.

Life, as seen from my deck


Before I came to Canada, I had no idea about what I now call ‘deck life’. Yet now Summer is here, that is where I find myself living and writing. If it wasn’t for the mosquitoes after nine pm, I’d probably end up sleeping out here as well. Not that there are many mossies around at the moment. They usually arrive three days after a rain shower, and there’s been no rain since last Sunday. Just in case there are any strays wafting about, I’ve lit the mosquito coils and citronella candles.

Angie is off at her yearly conference in Squamish, so until tomorrow it’s just me and the Dog, chilling, drinking beers and getting dive bombed by Hummingbirds on their way to the feeder. Watching the glorious British Columbian daylight fade from blue through a dusky violet into broad indigo bands around the horizon, and the 8:40 flight passes overhead from Vancouver. The dog in next doors yard, a curly haired mutt, barks sporadic greeting at the world, and a tiny cooling breeze strokes my feet therapeutically. Et in Arcadia ego.

It’s not all fun because there are hard choices to be made. Do I get another beer from the fridge? Or do I simply sit here listening to far off conversations, watch the odd boat go past and let the stress drip from my bones. Choices, choices. Would I like some tea and a Digestive cookie before I reluctantly go to bed? Well goodness me, so I do.

Have hardly written a thing over the past week, barely two thousand worthwhile words, but after all the travelling, I’m having a little private time out.

I keep on hearing this….


Browsing through varying LinkedIn forums, I keep on coming across sweeping broad brushstroke statements to the effect that most self published works are poorly formatted and written rubbish. If this truly is the case, then why bother stating the obvious? Of course badly written, scrappy looking work won’t sell. But what is also true is that even brilliantly written, spectacularly perfect work may not sell either because it is not what the market wants right now, and as is repeatedly demonstrated, not even the ‘professionals’ get it right. Remaindered book shops being the singular living proof.

Yet, if we are to believe what some say, to self publish is to be forever damned by the traditionalists. Had the temerity to put a piece of work in the public domain without their consent? Only to be denied access to wider bookshop markets because the distributors won’t list a work with less than so many thousand pre printed stock available? Even then, will mainstream bookstore buyers touch self published works? Experience says no. Unless someone knows something I don’t, and I’d love to hear of a low cost entry level way into this section of the market. Apart from the eBook route.

So, what to do? Do I, as one who chooses to eschew the traditional publishing route of Agent and Publisher repeat what I did for so many years, write, submit, then wait, and wait, and wait, only to be handed a non specific “Sorry, no.” after three (or even on one particular occasion, six) months? Or simply go for it full thrust, transition, and try to blow a hole through the blockade like some of my characters repeatedly do in ‘Falling’ and ‘Darkness’? Should I ‘write for the market’ like we are all exhorted to do by creative writing classes and tutors? Okay, say I, but who defines what the market actually wants? What is ‘The Market’? I don’t know. The literary marketplace is diversifying so rapidly, I don’t think anyone else really knows, either.

‘Writing for a market’ might be the ‘safe’ option, but I’ve never really cared much for ‘safe’. If I did, I’d never have slung a leg over the saddle of a horse or motorcycle. Even after repeated falls and many bruises. Or handled bad tempered animals with teeth bigger and more dangerous than a large diameter circular rip saw. Or any of the other dangerous pursuits that get my heart pounding. So I write what I want. Not what others would have me write.

On the whole I think those who demonise independent self publishers do both themselves and their employers / companies a great disservice. Whenever I hear someone vouchsafing thus, it makes me extremely reluctant to deal with their company. To me they represent an elitist world view, rather like the voices who simply can’t bring themselves to believe that an English market town grammar school boy could become the most celebrated playwright in the history of the English language. Shock horror! The man never even went to University! How dare he! Yet the name of William Shakespeare echoes across time, even four hundred years on. One small town boy made good.

But then, we all have to start somewhere, be our journey in this life short and spectacular or slow and barely noticed. The only sin is not to try. Damn the dissenting voices.